Archive for the ‘The Meaning of Life’ Category

Australian Aboriginal Art

Australian Aboriginal Art Painting

Australian Aboriginal Art Painting on display in Melbourne, Aus

Australian Aboriginal art has always been a huge inspiration in my abstract artwork. I love indigenous art from cultures all over the world, but Aboriginal art always held a certain attraction for me – the colors, the patterns, and the symbolism are all so imbued with meaning. Aboriginal art in its purest form is not separate from daily life – it is part of it, intricately interwoven with their belief system.

A few days ago I had the joy of viewing a collection of Australian Aboriginal art paintings on permanent display at the National Gallery of Victoria in Melbourne, Australia. Seeing these works in person is a moving experience because the artworks function on a level that goes far beyond the visual.

Aboriginal Painting

Aboriginal Painting in the National Gallery of Victoria

Many Aboriginal art paintings represent the “Dreamtime” or “Dreaming”, which are terms used to describe various Aboriginal creation stories – what we would call myths. These creation stories explain the origins of the tribes, the formations of certain geological features, as well as outline their spiritual and philosophical beliefs. The Dreamtime explains the balance and relationship of all these aspects.

Aboriginal Art in Gallery

Collection of Aboriginal Art Paintings

Traditional Aboriginal paintings often resemble a map of sorts. Traditional symbols are used to represent water, waterholes, clouds, stars, fire, smoke, rain, cliffs and sandhills. There are also symbols that represent people, especially people sitting, alone or in groups, and often in front of a fire or camp site.

Look at the painting above, on the far right. The half-circles probably represent people and the concentric circles most likely represent a meeting place, such as a fire, camp site, stone or well.

close up of Aboriginal Art Dot Painting

close up of Aboriginal Art Dot Painting

Australian Aboriginal art is most commonly noted for their dots, as you can see in the close-up above. The dots can represent things like stars or sparks, although they are also used to obscure the meaning of the Dreamtime paintings. The secrets of the Dreamtime are only meant for the initiated, so traditionally they have been closely guarded. With the rising popularity of Aboriginal art to global collectors, many Aboriginal artists have painted the dots to cover up the symbolism underneath.

The dots are painted by dipping a paintbrush into a pot of acrylic paint and then dotting the paint on the canvas, usually with the paintbrush being held at a 90 degree angle to the canvas. Canvases are usually laid flat on the ground, so the artist works in a sitting position and moves around the painting.

Aboriginal Dot Painting by Tommy Watson

Awilyulu by Tommy Watson

The paintings above and below are contemporary Australian Aboriginal art paintings by Tommy Watson, born in 1935. The painting above, Awilyulu, was painted in 2003. This paintings depicts his country, with sandhills at the top and water snakes towards the center. The painting below, Anamarapiti, was painted in 2002 and depicts the land where he grew up. The circles represent rockholes.

Aboriginal Art by Tommy Watson

Anamarapiti by Tommy Watson

Australian Aboriginal art continues to hold a deep fascination for me. I am immensely pleased to finally be in Australia, where I can learn more about these artworks and the artists who create them.

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Day of the Dead thoughts

Learn how to draw a skull!

Lately I’ve had Day of the Dead on the brain, mainly because I’ve been working on Day of the Dead articles and tutorials for Art is Fun.  The other night, after I’d been preparing tutorials for Day of the Dead art projects, I laid in bed thinking about skulls and those empty places where the eyes were.  And thinking that my eyeballs are now resting in those two holes in my skull, as they’d been all my life – something I always take for granted and accept as fact and never question or even consider. 

So I laid there thinking about the solidity of skulls and the soft fluidity of eyeballs, contrasting the living with the dead.  And thinking that there is a profound difference between having a functioning brain and eyeballs beneath this skull, versus having a dry, bare, exposed and empty skull – and knowing that one day, that is exactly what my body will become.  My eyeballs, these lovely organs that allow me to see the visual world around me, will no longer exist.  It’s all very basic on one level; we all know that we will die.  Duh, right?  But to really contemplate death, especially one’s own death, is an entirely different experience than to just passively be aware of it (or to ignore it completely).

So thinking of Day of the Dead incited all these ruminations circling around mortality, ephemerality, the cycles of existence… we’re here one minute and gone the next, but where do we (our spirits, our minds) go?  No one really knows.  We have theories and opinions, hopes and visions, but no solid evidence of anything.

I guess that makes some people scared, so they either try to ignore the inevitability that they will die someday, or they cling to their beliefs, which are really just stories they tell themselves to try to make sense of it all.  Personally, I find beauty and wonder in the mystery of not-knowing.  I don’t want to try to fit the future into a preconceived storyline.  I just want to ride the wave and see what happens.  And this brings me a sense of inner peace.

Pondering the inevitability of death also brings everything back to basics… such contemplation leads to discerning what really matters in life, if we’re all gonna die someday anyway?  The way we conduct our lives often seems to depend on our own individual answers to this question. To me, it suddenly makes my priorities more clear: I want to be a good person and have a positive impact on others. 

So anyway, back to what started this whole train of thought…

I just finished a page explaining Day of the Dead (for those who may not know) and showing my Day of the Dead Art.  Now I’m writing tutorials on how to draw skulls, hence the funky animation at the top of this post.  In the coming weeks I plan to expand on these tutorials to include instructions for making colorful Dia de los Muertos calaveras, like this one.  It’ll be fun!

Dia de los Muertos calaveras

 

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Homeless in Una Watuna

Dog Portrait Painting

Una – 5″ x 7″ Acrylic on Canvas Panel

I painted this dog portrait several years ago.  This adorable puppy is based on a photograph I took of a homeless dog in Una Watuna, Sri Lanka.  I stayed there for several days in a beachfront hotel before embarking for India.  This cute dog always hung around.  The poor thing was homeless, but he was so sweet and had the softest fur.  He really was a gentle creature.

Una Watuna is one of the places that was wiped out during the 2004 tsunami.  Four years after the tsunami, and 10 years after I met this gorgeous canine spirit, I’d be very surprised if he was still alive.  But he’ll always have a special place in my memory, and I’m very glad we had the opportunity to cross paths. 

Dog in Una Watuna, Sri Lanka

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Photo of the Day: Dartmoor Pony

Dartmoor pony

I loved the wild ponies in Dartmoor National Park.  They are so cute and friendly!  They allow people to get very close to them.  I was still cautious and wouldn’t get too close, since they are still wild animals, after all. 

They liked to come up to cars and rub their tooshes on the car bumpers.  There aren’t many trees in this part of the park, so I guess there aren’t many other opportunities to get a good rubbing!

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Photo of the Day: Wat Kaek

Sculpture in Wat Kaek, Thailand

In 2006 I visited Thailand for the first time as an adult.  This photo was taken at Wat Kaek, a unique sculpture park near the city of Nong Khai on the Mekong River.  The sculpture park was filled with hundreds of strange, surreal concrete sculptures which fused a stylistic blend of Hindu and Buddhist iconography with (then) modern folk art.  The story goes that a Laotian spiritual leader named Luang Pu had a dream filled with wonderful, bizarre images, and when he awoke he commissioned dozens of folk artists (possibly his disciples) to materialize his imaginary creations.  The result is a fantastic and engaging collection of sculptures that, when you are surrounded by them, take you into another world.  It’s easy to spend hours in the park, absorbing the various details of each piece (and there are hundreds of pieces!).  This photo depicts a 90-foot tall sculpture of the Buddha sitting peacefully before a ferocious 7-headed naga, a legendary Thai serpent-snake that features in a lot of their art and sculpture.  The sculpture is huge and towering, causing quite a stunning visual impact.

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